Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Tuesday, September 8, 2015

Pack it Up, Gang! We're Heading North!!

Finally, after two postponements and fearing another one last night just minutes before we were scheduled to start our company conference call, all was quiet. I waited for a text message, the ring tone, anything that would signal that we would not be able to hold this meeting. Tick...tick...tick....at 7:28 PM, I dialed into the conference line. "BING," Rich rang in. "BING," Tom rang in. "BING," Jesse rang in. "Hot damn," I said. "We're having this meeting!"

And a good meeting it was. No, that's not correct. It was a great meeting. Here was the agenda (in brief):
1. There were two levels of the project to decide on; do we produce a complete 46 minutes pilot or do we cut down on the work and money, to produce an extended trailer (a trailer is like the "preview" you see on television or in movie theaters. Those are usually 2-3 minutes; we were looking at 6-10 minutes.
2. Based on the answer to #1, how much money will we need to raise to not just to the job, but to to the best possible production we can?
3. Were we going to agree to use crowdfunding to underwrite the project and if so, which one?

I had been thinking about these questions a great deal. It's not like they are unique, they are not. It's like lining up dominoes in a fancy shape then knocking them all down. But if only one domino is out of place by just a fraction of an inch, the knockdown is knocked out! Even though we are equal partners, I take my role as the president very seriously. Listen, we're not a huge, multi-million dollar production company; we are three snot-nosed, belly-crawling  nozzle jockeys and a videographer who chased police and fire scanners. 

So, I've always played the "parent" in the company, watching over what we decide on and do so that my three partners who, unlike me, still work full-time. Me? I've been classified disabled since 1992 and have only worked part-time as my aching back would let me. Not so with my partners. My biggest concern is protecting them from any personal financial strife. I was an argument that they shot holes through in the first fifteen minutes of the meeting. So here are our decisions:

1. We are going ahead and produce the entire first pilot episode of our new show that is scheduled to be shot with the cooperation and participation of the great men and women of the Philadelphia Fire Department. Bear in mind that with both Tom's and Jesse's experience, they showed us that for relatively the same time and money to shoot the trailer, the pilot would not take much more, so we decided to go with the pilot. (Here's a lesson in TV Physics - writers and producers want a lot. They usually don't get everything they want. (Even though we are determined to shoot in Philly, all the "t's" have to be crossed and the "i's" have to be dotted.) To help facilitate this, we have a meeting next week with the Greater Philadelphia Office for Film & Television to start the "hose rolling out."

2. We are definitely moving ahead to raise funds through crowdfunding. We believe that, after all the research we have done over the last three week, we have chosen the best crowdfunding platform that's primary work has always been in film and video. I will not be exact, but we have set a significant six-figure sum for our budget. And combining these two facets, every donation will receive a "charm," a gift appropriate to the level of the contribution. Additionally, we will be looking for commercial participation was well. Thus, if you work in the fire-rescue commercial industry, you may want to see what possibilities there might be with your employer. 

In summary, we're taking the production to the next level. However...this is not to say that we are going to drop our efforts in Los Angeles to market the show to networks and studios. That will continue to go forward, full speed ahead.

There is still a great deal of work to be done, so we have no dates as of yet. All of that will come in due time. What's next? YOU! YES, YOU! No, we're not asking you for a penny (wink..wink, yet!). But we do need your help. We need you to start talking up the project. Tell your friends and family about it, your parents, siblings, grandparents and neighbors! 

We have had test groups of people read both the synopsis (summary) and the script, some involved in fire-rescue, most, not. And every single response has been, "Wow! What a story! I couldn't put it down until I read the whole thing!" Share that with them. Get them as excited about the project as you are.

I want to make one point regarding the fundraising that I mentioned in a previous post within the past couple of weeks. In the U.S., there are approximately 1.2 million members of the fire service, career, volunteer and on-call. That doesn't count the fire-rescue members across southern Canada. It also does not account for members of law enforcement and EMS. Now, add in spouses, family and friends.

Now, if every one of those people donates but $1.00 to the effort (I know, "What kind of a crummy gift will they give me for a buck?") we could raise much more than we would ever need. However that is not going to happen. Even with all the wishing in the world.

So, let's just try our best. It's not even time yet to ask for money, but you know what? Enthusiasm is FREE! Pass it along!

In the mean time, let's MAKE SURE EVERY ONE GOES HOME AND #STAYSAFE

Steve

Tuesday, May 4, 2010

The Big, Bad Magnet and Basic Post-Production

To tell you the truth, the MRI wasn't that bad. And it's not like I've never had one before. Truthfully, I've had so many that I think I get "frequent tubing" miles for them and I'm a member of the "million miler" club, after the last eighteen years!
The strange thing about this one was the fact that it was in one of those traveling MRI trailer. The center I went to is under renovation and upgrading all their equipment. But to do so, they had to shut one machine down to take it out and until the new replacement comes in and is installed, they have to use this "portable" MRI. It had no sonic music system. So your only option is to take these two small, disposable ear plug and stick 'em in. Didn't make any difference. The noise was still about "first row at a KISS concert-right in front of the amplifiers" loudness. And, due to the fact that it was only my right knee, I was placed in the tube feet-first and only up to my waist. I'll see the doc tomorrow with the MRI images and get the verdict then. So be it.

Enough about me. Let's get back to the show. Today I finally had the chance to review and "edit" the agreement sent to me on the day before we were leaving for San Francisco, by company that is supposed to work with us to co-produce the "pitch video" and get the show sold to a major satellite/cable network. "What does that entail?" you ask. And I'll tell you.

We shot about 14 hours of video on two camera, plus a little more on a third, all in HD. The first thing that has to be done is called "logging" the video. On almost all video today, there are usually two "clocks;" the one you're used to when shooting the kids' birthday party with the time of day. The second clock, which you usually have to manually select on a consumer video camera, is called the "time code." This is a digital clock that has five places, beginning from the right would be:
00:00:00:00:Frames
00:00:00:Seconds:Frames
00:00:Minutes:Seconds:Frames
00:Hours:Minutes:Seconds:Frames
Days:Hours:Minutes:Seconds: Frames

Every video that you shoot has a "begin" point and an "end" point; basically when you press the "RECORD" button to start shooting a scene and when you press it a second time to pause your shooting. So the production assistant has to review ALL the video and log the following:
1. Start Time Code
2. End Time Code
3. Scene Description
4. Audio Description
5. Any other pertinent information the producer requests.
Now imagine doing that for fourteen hours of video! It's probably a 2-day, 10 hours per day job. Hah! And you thought TV production was glamorous!

Once the logging is done, the producer(s) sits with the editor to review the log chart and to start out some of the scenes he/she wants to see for possible inclusion in the final product. Bear in mind that most of those 14 hours were recorded with just the "pitch video" in mind. Yes, we'll use a lot of it in the episode featuring the San Francisco Fire Department, too. But for now, we'll be picking out the best 3-5 minutes of video from all of those 14 hours. Sound like fun, yet?

Well, that's it for now. Need to go and get my leg elevated to alleviate the throbbing!

Be good to each other!